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一个暂未命名的表演, 现场表演,50 mins, 2019

我在阿那亚圆形剧场的表演是一个在地创作的项目。阿那亚社区是一个世外桃源式的私托邦,一个典型的门禁社区,也对应一个捕捉观众的封闭剧场。这个表演将探索阿那亚社区的地理边界延伸到流动的身体边界,对焦至社区内的工作人员并邀请他们参与其中。社区的保安,保洁,置业,酒店的服务人员,作为社区服务不可或缺的一部分,在某种程度上也是社区推崇的筛选体系中难以调和的异质性元素。他们一天的工作,身体的活动范围,话语,都能在社区的剧场时间里,都能成为捍卫或者动摇社区日常表演的“边界因子”。

A Performance Untitled for Now, 50 mins, 2019

 

YAO Qingmei give an on-site performance at Aranya amphitheater. Aranya community is a not only a privatopia that is out of the world, a typical gated community, but also an enclosed theater for attracting the audience. The performance explore from the geological boundary of Aranya to the moving boundary of human body, and invite the community staff to engage in. As an indispensable part of the community, securities, janitor and the staff of real estate and hotels, to some extent, are irreconciable hetero-elements in the selection system that the

community supports. Their routines, movements, postures and utterances can be “boundary factors” that may safeguard or change the community’s daily performances in the theater.

高尔夫,16个监控画面

 

一名高尔夫球手从社区的入口开始推高尔夫球,一直推到艺术中心圆形剧场中间的小洞。剧场的投影画面里将依次出现入口至圆形剧场的16个监控画面,高尔夫球手依次从16个画面中出现,消失直到观众看到高尔夫球手进入剧场,将球推入剧场中心的洞里。

 Golf, 16 surveillance screens, 2019

 

From the entrance of Aranya community, a golf player pushes the ball to the hole located at the middle of amphitheater in Art Center. 16 survillance cameras capture 16 visuals from the entrance to the amphitheater, those visuals are shown on a projector screen in the theater. The golf player is seen successively in the 16 visuals, then disappears from the vision, till audiences see the player again as soon as he enters the amphitheater, and pushes the ball in the hole.

 

“一天”的诗,身体的边界

 

这个环节以合声练习,身体工作坊和游戏的形式推进,阿那亚社区的八个工作岗位的员工一起归纳一天工作的身体姿态,手势,工作用语和身体移动路径。每个人最终进入到一个圆形的连体的工作服装装置- 八件工作制服由弹力布连接成一个圆圈, 游戏参与者向外撕扯并从装置中逐一挣脱,也将这个舞台边界线扩张到观众席。

One day's poetry

In this section, progress is made with harmony practice, body-related workshop and games. 8 workers of Aranya community group up and conclude body postures, gestures, formal expressions and traces of body displacement they would use in daily work. Eventually, they enter a rounded

installation made of 8 romper smocks and elastic cloth. Participants drag towards the outers and break through from the installation, their action stretch the boundry of stage to the auditorium.

 

 

​感谢北京泰康空间和阿那亚艺术中心对本项目的大力支持

Thanks for the support of TaiKang space of Beijing and Aranya Art Center​

Thanks for the material from Magician space and Catch space in Beijing 

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